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Paolo Veneziano was a 14th-century painter from Venice, the "founder of the Venetian School" of painting, probably active between about 1321 and 1362.
He led the development in Venice of the elaborately-framed polyptych or "composite altarpiece" form, which became popular all over Italy during the 13th century, partly in response to liturgical changes (only reversed in the 20th century) which placed the priest celebrating mass on the same side of the altar as the congregation, so with his back to them for much of the time. This encouraged the creation of altarpieces behind and above the altar, as a visual devotional focus. He is the oldest Venetian painter whose name is known, and the earliest to paint the new subject of the Coronation of the Virgin.
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Bernardo Daddi, an Italian painter born in the late 13th century, emerged as a pivotal figure in the early Renaissance, particularly within the Florentine school of painting. Operating in Florence between 1280 and 1348, Daddi's oeuvre is renowned for its devout spiritual essence and the delicate finesse of its execution, marking a significant departure from the Byzantine traditions that dominated the era.
Daddi's art is distinguished by its intimate scale, refined attention to detail, and vibrant narrative compositions, which were primarily religious in nature. His works are celebrated for their clarity, color, and emotional depth, contributing to the evolution of painting during a period rich in cultural and artistic exploration. Among his notable contributions, the "Madonna and Child" triptychs and frescoes in Florence stand as testaments to his skill and spiritual devotion.
Bernardo Daddi's influence extended beyond his lifetime, setting the stage for the blossoming of Renaissance art. His paintings, housed in prestigious museums and churches, offer a window into the soul of 14th-century Italy, reflecting the period's complex interplay between faith, art, and society.
For collectors and art history aficionados, Daddi's works represent not just aesthetic achievements but also historical artifacts that capture the essence of an era on the cusp of the Renaissance. His legacy, embedded in the fabric of Italian art history, continues to inspire and captivate those who seek to unravel the origins of Renaissance painting.
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Ambrogio Lorenzetti or Ambruogio Laurati was an Italian painter of the Sienese school. He was active from approximately 1317 to 1348. He painted The Allegory of Good and Bad Government in the Sala dei Nove (Salon of Nine or Council Room) in Siena's Palazzo Pubblico. His elder brother was the painter Pietro Lorenzetti.
